upcoming & recent events


“Wilhelm Reich’s Machines of Sexual Revolution”

афіша_Пригоди в оргазмотроні_2 (1) On December 11, 2018, I gave a lecture “Wilhelm Reich’s Machines of Sexual Revolution” to celebrate the publication of the Ukrainian translation of Reich’s biography written by Christopher Turner Adventures in the Orgasmatron: How Sexual Revolution Came to America (2011). The event was organized by the VSL publisher and hosted by “YE” bookstore in Kyiv. My lecture was based on my introduction to the Ukrainian translation of the book and my recent article about Wilhelm Reich’s work in Emotion, Space and Society.

From my introduction to Turner’s book (in Ukrainian):

«Як ніхто інший і, звісно, краще, ніж Кафка, Райх презентує наш час, демонструючи особливості нашого мислення, бажань, уявлень, наукового знання та невігластва, зрештою, наших комплексів і мрій. Йдеться не лише про гримучу суміш лівої ідеології із капіталістичним приватним інтересом, а і його зациклення на сексуальному в біологічному сенсі: здається, для Райха секс відбувається завжди на рівні молекул та електронів, а не слів, голосу, дихання, запахів, динаміки та складної хореографії емоцій та рухів. Нарешті, його беззаперечнa вірa в науку, якaсь майже парадоксальнa науковa релігійність, навіть містикa; його загостренa увагa до тіла, до тілесних практик задля вирішення проблем підсвідомого; зрештою, його абсолютне покладання на технології — мікроскопи, вимірювачі, акумулятори, трансформатори — як останню можливість для вирішення сексуальних проблем: це — ми сьогодні».

Photo credit: Ksenia Reznyk

The video of the talk (in Ukrainian) is available here.


Vertical Atlas (Amsterdam – Rotterdam)

On November 29, 2018, I gave a talk “Communicative Militarism: Runaway Circuits of Cyberwar” at a public event at Het Nieuwe Instituut (Rotterdam) upon the invitation of a research group of Benjamin Bratton, Leonardo Dellanoce, Arthur Steiner and Klaas Kuitenbrouwer.

Vertical Atlas is a research project aimed at the creation of a new atlas to navigate the complex techno-geographies of the world today. The project is developed through a series of five public talks and research labs that will take place in 2018 and 2019.


Our book with Nick Dyer-Witheford, Cyberwar and Revolution: Digital Subterfuge in Global Capitalism (Minnesota UP), will be published on March 12, 2019 (but is already available for pre-order).

51CPWGMUmHL._SX321_BO1,204,203,200_Global surveillance, computational propaganda, online espionage, virtual recruiting, massive data breaches, hacked nuclear centrifuges and power grids—concerns about cyberwar have been mounting, rising to a fever pitch after the alleged Russian hacking of the U.S. presidential election and the Cambridge Analytica scandal. Although cyberwar is widely discussed, few accounts undertake a deep, critical view of its roots and consequences.

Analyzing the new militarization of the internet, Cyberwar and Revolution argues that digital warfare is not a bug in the logic of global capitalism but rather a feature of its chaotic, disorderly unconscious. Urgently confronting the concept of cyberwar through the lens of both Marxist critical theory and psychoanalysis, Nick Dyer-Witheford and Svitlana Matviyenko provide a wide-ranging examination of the class conflicts and geopolitical dynamics propelling war across digital networks.

Investigating the subjectivities that cyberwar mobilizes, exploits, and bewilders, and revealing how it permeates the fabric of everyday life and implicates us all in its design, this book also highlights the critical importance of the emergent resistance to this digital militarism—hacktivism, digital worker dissent, and off-the-grid activism—for effecting different, better futures.


Lacan and the Posthuman (Palgrave Macmillan, 2018), the collection I’ve co-edited with Judith Roof, is now published. For a variety of reasons, this project took much longer to bring to a completion than we expected, so we are grateful to our contributors: Louis Armand, Allan Pero, Colin Wright, Ben Woodard, John Johnston, Nancy Gillespie, Scott Wilson, Timothy Morton. Special thanks go to Calum Neill and Derek Hook, the editors of The Palgrave Lacan Series.

LPWhen Posthumanism displaces the traditional human subject, what does psychoanalysis add to contemporary conversations about subject/object relations, systems, perspectives, and values? Promoting psychoanalysis’ focus on the cybernetic relationships among subjects, language, social organizations, desire, drive, and other human motivations, this book demonstrates the continued relevance of Lacan’s work not only to continued understandings of the human subject, but to the broader cultural impasses we now face. Exploring Posthumanism from the insights of Lacan’s psychoanalysis, chapters expose and elucidate not only the conditions within which Posthumanist thought arises, but also reveal symptoms of its flaws: the blindness to anthropomorphization, projection, and unrecognized shifts in scale and perspective, as well as its mode of transcendental thought that enables many Posthumanist declarations.



sum of the parts: I spoke about Felix Kalmenson’s films A House of Skin and Neither Country, Nor Graveyard in a conversation with curator Jenn Jackson — Wednesday, May 16, Pollyanna 圖書館 Library, Vancouver

“Examining a private archive is risky: one often discovers how little of the personal and the intimate such archive usually holds. The reward of facing this risk is a discovery that the archive is never equal to the sum of its parts, but rather, it presents a possibility to reveal an extremely complex and volatile relation between its random objects. Watching Felix Kalmenson’s Neither Country, Nor Graveyard (2017) and A House of Skin (2016), we witness how such relation emerges through the emotional labour of the artist, the subject of the archive.”

“Topology of Cyber-War,” panel “Unmasking Cyberwar” — transmediale festival: Face value, Jan 31 – Feb 4, 2018, Berlin, Germany

2018_02_01_Transmediale_Kia_K (150)
“Unmasking Cyberwar” Panel – transmediale: Vladan Jolar (SHARE Foundation, Department of New Media, University of Novi Sad, Serbia), Ryan Bishop (Winchester School of Art, University of Southampton, UK), Svitlana Matviyenko (School of Communication, SFU, Canada/Ukraine) and Megan Boler (Department of Social Justice Education, OISE, University of Toronto, Canada). Photo (here and below): Kia K., transmediale, CC BY NC-SA 4.0







April 11, 2018 | The Village interviewed me for their story about “people who are not on Facebook” (In Ukrainian).

June 12, 2017 | Following my comments for Hromadske TV (Ukraine) regarding Ukrainian President Poroshenko’s ban of the Russian social media (VK & Odnoklassniki) as well as Yandex and Mail.ru in Ukraine, Vitalii Atanasov asked to elaborate on some points made for Hromadske. This is a bit shortened version of our dialogue translated in Ukrainian and here is an English version. And a full version in Russian.

“By implementing this ban, however, Ukraine is not different from other counties. Every government has realized by now that they have got a new animal in the political jungle. This animal reminds of the monstrous Thing from Carpenter’s horror – it is unruly, unpredictable, deadly.

The superior intelligence, it becomes us, learns from us and all about us, by parasiting the delicate network of our invisible relations, and then it absorbs us to nourish its non-human core. This social media monster “moves fast and breaks things” and the governments understand they have to survive in one space with it. They are all calculating now what is more beneficial and less risky for them to do: to burn this monster, tame it somehow, make human scarifies, or use it against the enemy. So, I guess, we will see all these scenarios. One is currently unfolding in Ukraine.”

field research

Chernobyl Zone of Exclusion

September 26 – October 10, 2017  |  Ukraine 

I traveled to the Chernobyl Zone of Exclusion again — this time with two guides: Oleksandr Syrota, a former resident of Pripyat, an eyewitness and a victim of the 1986 Chernobyl disaster, now the editor-in-chief of the internet project pripyat.com and the president of the International Public Organization Center Pripyat.com; and Oleksandr Rybak from the same organization, who specializes in the history of the Chernobyl-2, the Soviet radar system DUGA aka “Russian Woodpecker.” Coincidentally (and luckily!), on the way to the Zone we were joined by ecologist Denis Vishnevsky, the head of the radio-ecological monitoring group at “Екоцентр,” who has been monitoring the Zone for 17 years, from whom I learned a lot about wolves, rats, mushrooms and forests of the Zone, including a lot of info about the current chemical composition of the observed area. Here is one of the interesting interviews with him, “Life After Life: Cities Abandoned by Humans” – for those who read Russian.

The object Chernobyl-2, a Soviet over-the-horizon (OTH) radar system, aka “the Russian Woodpecker,” used as part of the Soviet anti-ballistic missile early-warning network that operated from July 1976 to December 1989.

First, led by Oleksandr Rybak, we went inside the abandoned facilities of the Chernobyl-2 radar. Its intensely damp and drafty interior immediately made my throat sore, but the objects inside — all those remains of the Soviet super computer system — could keep one wandering through the rooms and corridors of the building, imagining this ambitious Soviet radio-location machine.






Our next stop was Pripyat, where the V.I. Lenin Chernobyl Nuclear Power Plant is located. The construction of the power plant began on 15 August 1972. The city of Pripyat, founded on 4 February 1970 about 100 km from Kyiv, was not build yet and it was officially proclaimed a city only in 1979. So the plant was given its name after another city, Chernobyl, at the time, the closest big city. It is possible, too, that such decision was made in order to not draw the attention to Pripyat, the city of military importance, although, unlike other Soviet atomic cities, the access to Pripyat was not restricted.






Oleksandr Syrota gave us a tour around the remains of the glorious atomic Soviet city, the reversed symbol of “safe nuclear power.” Originally from Pripyat, Syrota took us to his abandoned apartment. According to him, it might be dangerous to enter this building in six months, in spring 2018, and he would not be taking people there: the housing infrastructure in the area has reached its 30-year life span — apparently, that’s how long this particular type of constructions can survive without care and central heating, open to the winds, snow, rain and marauders. On the way, we passed the building of the school that Syrota had attended before April 1986. Half of the building collapsed several years ago; the rest is deteriorating.

Trees growing through the stairs of the school building.

The Zone as we know it today — that seems to be timeless, a surreal “frozen-in-time” or “future-in-the-past” scene such as that of the Pripyat amusement park known to many of us via too many YouTube videos — has been disappearing. To be more precise, it has been transforming into something else, and it has been transforming for a while now — on its own speed, with its own rhythm. And while it still remains a visible reminder of the Soviet technogenic catastrophe, it might be the moment to think about its meanings and pose new questions.

Inside the cinema theater Прометей (Eng: Prometheus).
The abandoned cinema theater Прометей (Eng: Prometheus) in Pripyat features one of the wonderful mosaics, this one by Ivan Lytovchenko, many of which can be still found in the city. More on the Soviet mosaics, see a just-published book, Decommunized: Ukrainian Soviet Mosaics (also, see here).






Me walking near another fantastic work of Ivan Lytovchenko, or what remains of it.


Across the river, you are looking at one of the major radioactive nuclear waste burial places.
With our stalkers and the abandoned radar on the background.






Photos by Oleksiy Radynski and myself.

August 21 – November 27, 2016  |  Ukraine & Georgia

My two-month research trip to Ukraine and Georgia was related to several projects: the book on cyber-war (with Nick Dyer-Witheford), the documentary project on the Soviet-Ukrainian cybernetics (with Oleksiy Radynski) and the project on techno-politics of the Soviet Union. In September, I traveled to Tbilisi where I conducted a series of interviews — about the events of Russo-Georgian cyber-war of 2008 — with governmental officials, security specialists and the representatives of telecommunication business, among them, David Lee, the President of Georgian major telecommunication company  MagtiCom. My first trip to the Chernobyl Zone of Exclusion in a company of Margret Grebowicz later that month, when we were able to see the remains of the Fourth Block of the Chernobyl Nuclear Power Plant before it was covered with a confinement in November 2016, was particularly informative and led to another trip to the Zone in 2017 and several research projects, still in progress today, that bring together the infrastructure studies, the studies of imperialism and posthumanism. In October, as a fellow at the Center for Urban Studies of East Central Europe, I taught a course “Information City.”






Interviewed the legendary 95-year-old pioneer of the Soviet computer technologies Boris Malinovsky. We met in one of the smallest museums I’ve ever seen, the one dedicated to the history of comupetr science in Ukraine, organized and run by Malinosky himself and hosted at the House of Scientists in Kyiv. September 29, 2016